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      9 <!====================================================================>
     10 
     11 <a href="inlines.html#TOP">Next</a>&nbsp;&nbsp;
     12 <a href="typesetting.html#TOP">Prev</a>&nbsp;&nbsp;
     13 <a href="toc.html">Back to Table of Contents</a>
     14 <p>
     15 <a name="TOP"></a>
     16 <a name="GOODIES">
     17 	<h1 align="center"><u>Goodies</u></h1>
     18 </a>
     19 <p>
     20 <a name="INTRO_GOODIES"></a>
     21 The macros in this section are a collection of useful (and sometimes
     22 nearly indispensable) routines to simplify typesetting.
     23 <p>
     24 <a name="INDEX_GOODIES">
     25 	<h3><u>Goodies list</u></h3>
     26 </a>
     27 
     28 <ul>
     29 	<li><a href="#ALIAS">ALIAS</a> (rename macros)
     30 	<li><a href="#SILENT">SILENT</a> (&quot;hide&quot; input lines from output)
     31 	<li><a href="#TRAP">TRAP</a> (suspend/re-invoke traps)
     32 	<li><a href="#SMARTQUOTES">SMARTQUOTES</a> (convert typewriter doublequotes to proper doublequotes)
     33 	<li><a href="#CAPS">CAPS</a> (convert to upper case)
     34 	<li><a href="#STRING">STRING</a> (user-definable strings)
     35 	<br>
     36 	<li><strong>Underscore/underline</strong>
     37 	<ul>
     38 		<li><a href="#UNDERSCORE">UNDERSCORE</a> (single underscore)
     39 		<li><a href="#UNDERSCORE2">UNDERSCORE2</a> (double underscore)
     40 		<li><a href="#UNDERLINE">UNDERLINE</a> (underline -- Courier only!)
     41 		<li><a href="#UL">\*[UL]</a> (inline escape to underline -- Courier only!)
     42 	</ul>
     43 	<li><strong>Padding</strong>
     44 	<ul>
     45 		<li><a href="#PAD">PAD</a> (insert equalized space into lines)
     46 		<li><a href="#PAD_MARKER">PAD_MARKER</a> (change/set the marker used with <strong>PAD</strong>)
     47 	</ul>
     48 	<li><strong>Leaders</strong>
     49 	<ul>
     50 		<li><a href="#LEADER">\*[LEADER]</a> (inline escape to add leaders to a line)
     51 		<li><a href="#LEADER_CHARACTER">LEADER_CHARACTER</a> (change/set the leader character)
     52 	</ul>
     53 	<li><strong>Drop caps</strong>
     54 	<ul>
     55 		<li><a href="#DROPCAP">DROPCAP</a> (set a drop cap)
     56 		<li><strong>Support macros for DROPCAP</strong>
     57 		<ul>
     58 			<li><a href="#DROPCAP_FAMILY">DROPCAP_FAMILY</a> (change drop cap family)
     59 			<li><a href="#DROPCAP_FONT">DROPCAP_FONT</a> (change drop cap font)
     60 			<li><a href="#DROPCAP_ADJUST">DROPCAP_ADJUST</a> (alter size of drop cap)
     61 			<li><a href="#DROPCAP_COLOR">DROPCAP_COLOR</a> (change colour of drop cap) 
     62 			<li><a href="#DROPCAP_GUTTER">DROPCAP_GUTTER</a> (change space between drop cap and running text) 
     63 		</ul>
     64 	</ul>
     65 	<li><strong>Superscripts</strong>
     66 	<ul>
     67 		<li><a href="#SUP">\*[SUP]</a> (set superscript)
     68 		<li><a href="#CONDSUP">\*[CONDSUP]</a> (set condensed superscript)
     69 		<li><a href="#EXTSUP">\*[EXTSUP]</a> (set extended superscript)
     70 	</ul>
     71 	<li><strong>Lists</strong>
     72 	<ul>
     73 		<li><a href="docelement.html#LIST_INTRO">Introduction to lists</a>
     74 		<li><a href="docelement.html#LIST">LIST</a>
     75 		<li><a href="docelement.html#ITEM">ITEM</a>
     76 		<li><a href="docelement.html#SHIFT_LIST">SHIFT_LIST</a>
     77 		<li><a href="docelement.html#RESET_LIST">RESET_LIST</a>
     78 		<li><a href="docelement.html#PAD_LIST_DIGITS">PAD_LIST_DIGITS</a>
     79 	</ul>
     80 </ul>
     81 
     82 <!---ALIAS--->
     83 
     84 <hr width="66%" align="left">
     85 <a name="ALIAS"><h3><u>Rename macros</u></h3></a>
     86 <br>
     87 <nobr>Macro: <strong>ALIAS</strong> &lt;new name&gt; &lt;old name&gt;</nobr>
     88 
     89 <p>
     90 The <strong>ALIAS</strong> macro may well be your best friend.  With it,
     91 you can change the name of a macro to anything you like
     92 (provided the new name is not already being used by
     93 <strong>mom</strong>; see the
     94 <a href="reserved.html#RESERVED">list of reserved words</a>).
     95 <p>
     96 Groff has always been a bit intimidating for new users because
     97 its standard macro packages use very terse macro names.
     98 <strong>Mom</strong> doesn't like people to feel intimidated; she wants
     99 them to feel welcome.  Consequently, she tries for easy-to-grasp,
    100 self-explanatory macro names.  However, <strong>mom</strong> knows
    101 that people have their own ways of thinking, their own preferences,
    102 their own habits.  Some of her macro names may not suit you; they
    103 might be too long, or aren't what you automatically think of
    104 when you want to do a particular thing, or might conflict with habits
    105 you've developed over the years.
    106 <p>
    107 If you don't like one of <strong>mom</strong>'s macro names,
    108 say, PAGEWIDTH, change it, like this:
    109 <p>
    110 <pre>
    111 	.ALIAS PW PAGEWIDTH
    112 	       |      |
    113 	  new__|      |__official
    114 	 name            name
    115 </pre>
    116 
    117 The first argument to <strong>ALIAS</strong> is the new name you want
    118 for a macro.  The second is the &quot;official&quot; name by
    119 which the macro is normally invoked.  After <strong>ALIAS</strong>,
    120 either can be used.
    121 <p>
    122 Note that in <strong>ALIAS</strong>, you do NOT include the period
    123 (dot) that precedes the macro when it's a
    124 <a href="definitions.html#TERMS_CONTROLLINES">control line</a>.
    125 <p>
    126 <strong>NOTE:</strong> If you use <strong>ALIAS</strong> a lot,
    127 and always for the same things, consider creating an aliases
    128 file of the form
    129 <p>
    130 <pre>
    131 	.ALIAS &lt;new name&gt; &lt;old name&gt;
    132 	.ALIAS &lt;new name&gt; &lt;old name&gt;
    133 	.ALIAS &lt;new name&gt; &lt;old name&gt;
    134 	...etc
    135 </pre>
    136 
    137 Put the file someplace convenient and source it at the
    138 beginning of your documents using the groff
    139 <a href="definitions.html#TERMS_PRIMITIVES">primitive</a>
    140 <strong>.so</strong>.  Assuming that you've created an aliases file
    141 called mom_aliases in your home directory under a directory
    142 called <code>Mom</code>, you'd source it by placing
    143 <p>
    144 <pre>
    145 	.so /home/&lt;username&gt;/Mom/mom_aliases
    146 </pre>
    147 
    148 at the top of your documents.
    149 <p>
    150 If you share documents that make use of an alias file, remember that
    151 other people don't have the file!  Paste the whole thing at the top
    152 of your documents, please.
    153 <p>
    154 <strong>EXPERTS:</strong> <strong>ALIAS</strong> is an alias of
    155 <code>.als</code>.  You can use either, or mix 'n' match with
    156 impunity.
    157 <p>
    158 
    159 <!---SILENT--->
    160 
    161 <hr width="66%" align="left">
    162 <a name="SILENT"><h3><u>Hide input lines from output</u></h3></a>
    163 <br>
    164 <nobr>Macro: <strong>SILENT</strong> toggle</nobr>
    165 <br>
    166 Alias: <strong>COMMENT</strong>
    167 
    168 <p>
    169 Sometimes, you want to &quot;hide&quot;
    170 <a href="definitions.html#TERMS_INPUTLINE">input lines</a>
    171 from final output.  This is most likely to be the case when setting
    172 up string tabs (see the
    173 <a href="STRING_TABS_TUT">quickie tutorial on string tabs</a>
    174 for an example), but there are other places where you might want input
    175 lines to be invisible as well.  Any place you don't want input lines
    176 to appear in the output, use the <strong>SILENT</strong> macro.
    177 <p>
    178 <strong>SILENT</strong> is a toggle.  Invoking it without an argument
    179 turns it on; any argument turns it off.  E.g.,
    180 <p>
    181 <pre>
    182 	.SILENT
    183 	A line of text
    184 	.SILENT OFF
    185 </pre>
    186 
    187 The line &quot;A line of text&quot; will not appear in the
    188 output copy.
    189 <p>
    190 <strong>SILENT</strong> is aliased as <strong>COMMENT</strong>.
    191 If you want to insert non-printing comments into your documents,
    192 you may prefer this.
    193 <p>
    194 <strong>NOTE: SILENT</strong> does not automatically break an
    195 <a href="definitions.html#TERMS_INPUTLINE">input line</a>
    196 (see
    197 <a href="typesetting.html#BR">BR</a>)
    198 when you're in one of the
    199 <a href="definitions.html#TERMS_FILLED">fill modes</a>
    200 (<a href="typesetting.html#JUSTIFY">JUSTIFY</a>
    201 or
    202 <a href="typesetting.html#QUAD">QUAD L | R | C | J</a>).
    203 The same applies to tabs
    204 (<a href="typesetting.html#TAB_SET">typesetting</a>
    205 or
    206 <a href="typesetting.html#ST">string</a>)
    207 to which you've passed the <strong>J</strong> or <strong>QUAD</strong>
    208 argument.  You must insert <code>.BR</code> yourself, or risk a
    209 portion of your text disappearing into a black hole.
    210 <p>
    211 
    212 <!---TRAP--->
    213 
    214 <hr width="66%" align="left">
    215 <a name="TRAP"><h3><u>Suspend/re-invoke traps</u></h3></a>
    216 <br>
    217 <nobr>Macro: <strong>TRAP</strong> toggle</nobr>
    218 
    219 <p>
    220 Traps are vertical positions on the output page at which you or
    221 <strong>mom</strong> have instructed groff to start doing
    222 something automatically.  Commonly, this is near the bottom of
    223 the page, where automatic behind-the-scenes processing is needed
    224 in order for one page to finish and another to start.
    225 <p>
    226 Sometimes, traps get sprung when you don't want them.  If this
    227 happens, surround just the offending macros and input lines with
    228 <p>
    229 <pre>
    230 	.TRAP OFF
    231 	...
    232 	.TRAP
    233 </pre>
    234 
    235 <strong>TRAP</strong> is a toggle, therefore any argument 
    236 turns it off (i.e. suspends the trap), and no argument turns it
    237 (back) on.
    238 <p>
    239 
    240 <!---SMARTQUOTES--->
    241 
    242 <hr width="66%" align="left">
    243 <a name="SMARTQUOTES"><h3><u>Convert typewriter doublequotes to proper doublequotes</u></h3></a>
    244 <br>
    245 <nobr>Macro: <strong>SMARTQUOTES</strong> [&lt;off&gt;] [ ,, | &gt;&gt; | &lt;&lt; ]</nobr>
    246 <br>
    247 or
    248 <br>
    249 <nobr>Macro: <strong>SMARTQUOTES</strong> DA | DE | ES | FR | IT | NL | NO | PT | SV</nobr>
    250 
    251 <p>
    252 If you invoke <strong>SMARTQUOTES</strong> without an argument,
    253 <strong>mom</strong> converts all instances of the inch-mark,
    254 (<kbd>"</kbd> -- also called a &quot;doublequote&quot;), into
    255 the appropriate instances of true Anglo-American open- and
    256 close-doublequotes.  (See
    257 <a href="#SQ_INTERNATIONAL">Internationalization</a>
    258 for how to get SMARTQUOTES to behave correctly for non-English
    259 quoting styles.)
    260 <p>
    261 Typographically, there is a difference between the inch-mark and
    262 doublequotes -- a BIG difference.  Sadly, typewriters and computer
    263 keyboards supply only one: the inch-mark.  While using inches for
    264 doublequotes is, and always has been, acceptable in typewriter-style
    265 copy, it has never been, and, God willing, never will be acceptable in
    266 typeset copy.  Failure to turn inches into quotes is the first thing
    267 a professional typesetter notices in documents prepared by amateurs.
    268 And you don't want to look like an amateur, do you?
    269 <p>
    270 <a name="SQ_INTERNATIONAL"><h3>Internationalization</h3></a>
    271 <p>
    272 If you invoke <strong>SMARTQUOTES</strong> with one of the optional
    273 arguments (<kbd>,,</kbd> or <kbd>&gt;&gt;</kbd> or
    274 <kbd>&lt;&lt;</kbd>) you can use <kbd>&quot;</kbd> as &quot;cheap&quot;
    275 open- and close-quotes when inputting text in a language other than
    276 English, and have <strong>mom</strong> convert them, on output,
    277 into the chosen open- and close-quote style.
    278 <p>
    279 <kbd>,,</kbd> opens quotes with &quot;lowered doublequotes&quot; and
    280 closes them with &quot;raised doublequotes&quot;, as in this ascii
    281 approximation:
    282 <p>
    283 <pre>
    284 	,,Hilfe !``
    285 </pre>
    286 
    287 <kbd>&gt;&gt;</kbd> opens quotes with guillemets pointing to the
    288 right, and closes them with guillemets pointing to the left, as in
    289 this ascii approximation:
    290 <p>
    291 <pre>
    292 	&gt;&gt;Zurck !&lt;&lt;
    293 </pre>
    294 
    295 <kbd>&lt;&lt;</kbd> opens quotes with guillemets pointing to the
    296 left, and closes them with guillemets pointing to the right, as in
    297 this ascii approximation:
    298 <p>
    299 <pre>
    300 	&lt;&lt;Mais monsieur! Je ne suis pas ce genre de fille!&gt;&gt;
    301 </pre>
    302 
    303 Please note: the above arguments to <strong>SMARTQUOTES</strong>
    304 are literal ASCII characters. <kbd>,,</kbd> is two commas,
    305 <kbd>&lt;&lt;</kbd> is two less-than signs and <kbd>&gt;&gt;</kbd>
    306 is two greater-than signs.
    307 <p>
    308 Alternatively, you can pass <strong>SMARTQUOTES</strong> the
    309 two-letter, ISO 639 abbreviation for the language you're writing in,
    310 and <strong>mom</strong> will output the correct quotes.
    311 <p>
    312 <pre>
    313 	.SMARTQUOTES DA     = Danish      &gt;&gt;text&lt;&lt;
    314 	.SMARTQUOTES DE     = German      ,,text``
    315 	.SMARTQUOTES ES     = Spanish     ``text
    316 	.SMARTQUOTES FR     = French      &lt;&lt; text &gt;&gt;
    317 	.SMARTQUOTES IT     = Italian     &lt;&lt; text &gt;&gt;
    318 	.SMARTQUOTES NL     = Dutch       text
    319 	.SMARTQUOTES NO     = Norwegian   &lt;&lt;text&gt;&gt;
    320 	.SMARTQUOTES PT     = Portuguese  &lt;&lt;text&gt;&gt;
    321 	.SMARTQUOTES SV     = Swedish     &gt;&gt;text&gt;&gt;
    322 </pre>
    323 <p>
    324 Turn <strong>SMARTQUOTES</strong> off by passing it any argument
    325 <em>not</em> in the argument list (e.g. <strong>OFF</strong>,
    326 <strong>QUIT</strong>, <strong>X</strong>, etc.)
    327 <p>
    328 If you're using the
    329 <a href="docprocessing.html#DOCPROCESSING">document processing macros</a>
    330 with
    331 <a href="#PRINTSTYLE">PRINTSTYLE TYPESET</a>,
    332 <strong>SMARTQUOTES</strong> is on by default (in the Anglo-American
    333 style); with
    334 <a href="#PRINTSTYLE">PRINTSTYLE TYPEWRITE</a>,
    335 it's off by default (and should probably stay that way).
    336 <p>
    337 Finally, if you're fussy about the kerning of quote marks in
    338 relation to the text they surround, or have special quoting needs,
    339 you have to enter quote marks by hand using groff's native
    340 <a href="definitions.html#TERMS_INLINES">inline escapes</a>
    341 for special characters (see man groff_char for a complete list of
    342 special characters).  Entering quote marks this way allows you to
    343 use <strong>mom</strong>'s
    344 <a href="inlines.html#INLINE_KERNING_MOM">inline kerning escapes</a>
    345 to fine-tune the look of quotes.
    346 <p>
    347 <strong>NOTE:</strong> <strong>SMARTQUOTES</strong> does not work on
    348 single quotes, which most people input with the apostrophe (found at
    349 the right-hand end of the &quot;home row&quot; on a QWERTY keyboard).
    350 Groff will interpret all instances of the apostrophe as an apostrophe,
    351 making the symbol useless as an open-single-quote.  For open single
    352 quotes, input the backtick character typically found under the tilde
    353 on most keyboards.  (Pour nous autres, &quot;backtick&quot; veut dire
    354 l'accent grave.)
    355 Here's an example of correct input copy with single quotes:
    356 <p>
    357 <pre>
    358 	"But she said, `I don't want to!'"	
    359 </pre>
    360 
    361 <strong>ADDITIONAL NOTE:</strong> Whether or not you have
    362 <strong>SMARTQUOTES</strong> turned on, get into the habit of entering
    363 the foot- and inch-marks, when you need them, with the
    364 <a href="definitions.html#TERMS_INLINES">inline escapes</a>
    365 <strong>\*[FOOT]</strong> and <strong>\*[INCH]</strong>, instead
    366 of <kbd>'</kbd> and <kbd>"</kbd>.
    367 <p>
    368 
    369 <!---CAPS--->
    370 
    371 <hr width="66%" align="left">
    372 <a name="CAPS"><h3><u>Convert to upper case</u></h3></a>
    373 <br>
    374 <nobr>Macro: <strong>CAPS</strong> toggle</nobr>
    375 
    376 <p>
    377 <strong>CAPS</strong> converts all lower case letters to upper
    378 case.  Primarily, it's a support macro used by the
    379 <a href="docprocessing.html#DOCPROCESSING">document processing macros</a>,
    380 but you may find it helpful on occasion.  <strong>CAPS</strong>
    381 is a toggle, therefore no argument turns it on, any argument
    382 turns it off.
    383 <p>
    384 <pre>
    385 	.CAPS
    386 	All work and no play makes Jack a dull boy.
    387 	.CAPS OFF
    388 </pre>
    389 
    390 produces, on output
    391 <p>
    392 <pre>
    393 	ALL WORK AND NO PLAY MAKES JACK A DULL BOY.
    394 </pre>
    395 
    396 <!---STRING--->
    397 
    398 <hr width="66%" align="left">
    399 <a name="STRING"><h3><u>User-defined strings</u></h3></a>
    400 <br>
    401 <nobr>Macro: <strong>STRING</strong> &lt;name&gt; &lt;what you want in the string&gt;</nobr>
    402 
    403 <p>
    404 You may find sometimes that you have to type out portions of text
    405 repeatedly.  If you'd like not to wear out your fingers, you can
    406 define a &quot;string&quot; that, whenever you call it by name,
    407 outputs whatever you put into it.
    408 <p>
    409 For example, say you're creating a document that repeatedly uses
    410 the phrase &quot;the Montreal/Windsor corridor&quot;.  Instead of
    411 typing all that out every time, you could define a string, like
    412 this:
    413 <p>
    414 <pre>
    415 	.STRING mw the Montreal/Windsor corridor
    416 </pre>
    417 
    418 Once a string is defined, you can call it any time with the
    419 <a href="definitions.html#INLINES">inline escape</a>
    420 <kbd>\*[&lt;stringname&gt;]</kbd>.  Using the example string above
    421 <p>
    422 <pre>
    423 	The schedule for trains along \*[mw]:
    424 </pre>
    425 
    426 produces, on output
    427 <p>
    428 <pre>
    429 	The schedule for trains along the Montreal/Windsor corridor:
    430 </pre>
    431 
    432 <strong>NOTE:</strong> Be very careful not to put any spaces at the
    433 ends of strings you're defining, unless you want them.  Everything
    434 after the name argument you pass to <strong>STRING</strong> goes
    435 into the string, including trailing spaces.
    436 <p>
    437 <strong>Experts: STRING</strong> is an alias for <strong>ds</strong>.
    438 You can use either, or mix 'n' match with impunity.
    439 <p>
    440 
    441 <!---UNDERSCORE--->
    442 
    443 <hr width="66%" align="left">
    444 <a name="UNDERSCORE"><h3><u>Single underscore</u></h3></a>
    445 <br>
    446 <nobr>Macro: <strong>UNDERSCORE</strong> [ &lt;distance below baseline&gt; ] &quot;&lt;string&gt;&quot;</nobr>
    447 <br>
    448 <em>*Optional argument requires a <a href="definitions.html#TERMS_UNITOFMEASURE">unit of measure</a></em>
    449 
    450 <p>
    451 By default, <strong>UNDERSCORE</strong> places an underscore 2 points
    452 beneath the required
    453 <a href="definitions.html#TERMS_STRINGARGUMENT">string argument</a>.
    454 The string must be enclosed in double-quotes, like this:
    455 <p>
    456 <pre>
    457 	.UNDERSCORE "Unmonitored monopolies breed high prices and poor products."
    458 </pre>
    459 
    460 If you wish to change the distance of the rule from the
    461 baseline, use the optional argument <i>&lt;distance below
    462 baseline&gt;</i> (with a unit of measure).
    463 <p>
    464 <pre>
    465 	.UNDERSCORE 3p "Unmonitored monopolies breed high prices and poor products."
    466 </pre>
    467 
    468 The above places the underscore 3 points below the baseline.
    469 <p>
    470 <a name="NOTES_UNDERSCORE"></a>
    471 <strong>NOTES:</strong>
    472 <br>
    473 <strong>UNDERSCORE</strong> does not work across line breaks in output
    474 copy, which is to say that you can't underscore a multi-line passage
    475 simply by putting the text of the whole thing in the string you pass
    476 to <strong>UNDERSCORE</strong>.  Each
    477 <a href="definitions.html#TERMS_OUTPUTLINE">output line</a>
    478 or portion of an output line you want underscored must be plugged
    479 separately into <strong>UNDERSCORE</strong>.  Bear in mind, though,
    480 that underscoring should at best be an occasional effect in typeset
    481 copy.  If you want to emphasize an entire passage, it's much, much
    482 better to change fonts (e.g. to italic or bold).
    483 <p>
    484 You can easily and successfully underline entire passages in simulated
    485 typewriter-style copy (i.e. if your font is Courier, or you're using
    486 the document processing macro
    487 <a href="#PRINTSTYLE">PRINTSTYLE TYPEWRITE</a>),
    488 with the
    489 <a href="#UNDERLINE">UNDERLINE</a>
    490 macro.  <strong>UNDERLINE</strong> is designed specifically for this
    491 purpose, but works only with the Courier font.
    492 <p>
    493 <strong>Mom</strong> doesn't always get the position and length
    494 of the underscore precisely right in
    495 <a href="definitions.html#TERMS_JUST">justified</a>
    496 copy, although she's fine with all the other
    497 <a href="definitions.html#TERMS_FILLED">fill modes</a>,
    498 as well as with the no-fill modes.  As of this writing, I have
    499 no solution to the occasional problems with justified copy.
    500 <p>
    501 <strong>UNDERSCORE</strong> tends to confuse
    502 <strong>gxditview</strong>, even though the output, when
    503 printed, looks fine.  Generally, I recommend using <strong>gv</strong>
    504 to preview files anyway.  See the section on
    505 <a href="#PREVIEWING">previewing</a>.
    506 <p>
    507 
    508 <!---UNDERSCORE2--->
    509 
    510 <hr width="66%" align="left">
    511 <a name="UNDERSCORE2"><h3><u>Double underscore</u></h3></a>
    512 <br>
    513 <nobr>Macro: <strong>UNDERSCORE2</strong> [ &lt;distance below baseline&gt; [ &lt;distance between rules&gt; ] ] &quot;&lt;string&gt;&quot;</nobr>
    514 <br>
    515 <em>*Optional arguments require a <a href="definitions.html#TERMS_UNITOFMEASURE">unit of measure</a></em>
    516 
    517 <p>
    518 By default, <strong>UNDERSCORE2</strong> places a double underscore
    519 2 points beneath the required
    520 <a href="definitions.html#TERMS_STRINGARGUMENT">string argument</a>.
    521 The string must be enclosed in double-quotes, like this:
    522 <p>
    523 <pre>
    524 	.UNDERSCORE2 "Unmonitored monopolies breed high prices and poor products."
    525 </pre>
    526 
    527 The default distance between the two rules is 2 points.
    528 <p>
    529 If you wish to change the distance of the double underscore from
    530 the baseline, use the optional argument <i>&lt;distance below
    531 baseline&gt;</i> (with a unit of measure), e.g.,
    532 <p>
    533 <pre>
    534 	.UNDERSCORE2 3p "Unmonitored monopolies breed high prices and poor products."
    535 </pre>
    536 
    537 which places the double underscore 3 points below the baseline.
    538 <p>
    539 If you wish to change the distance between the two rules as
    540 well, use the second optional argument <i>&lt;distance between
    541 rules&gt;</i> (with a unit of measure).  Be aware that you must
    542 give a value for the first optional argument if you want to use
    543 the second.
    544 <p>
    545 <strong>NOTE:</strong> the same restrictions and caveats apply
    546 to <strong>UNDERSCORE2</strong> as to
    547 <strong>UNDERSCORE</strong>.  See the
    548 <a href="#NOTES_UNDERSCORE">NOTES</a>
    549 for <strong>UNDERSCORE</strong>.
    550 <p>
    551 
    552 <!---UNDERLINE--->
    553 
    554 <hr width="66%" align="left">
    555 <a name="UNDERLINE"><h3><u>Underline text -- Courier font only!</u></h3></a>
    556 <br>
    557 <nobr>Macro: <strong>UNDERLINE</strong> toggle</nobr>
    558 
    559 <p>
    560 If your font is Courier, or you're using the document processing macro
    561 <a href="#PRINTSTYLE">PRINTSTYLE TYPEWRITE</a>,
    562 <strong>UNDERLINE</strong> allows you to underline words and
    563 passages that, in typeset copy, would be italicized.  You invoke
    564 <strong>UNDERLINE</strong> as you do with all toggle macros --
    565 by itself (i.e. with no argument) to initiate underlining, and
    566 with any argument to turn underlining off.
    567 <p>
    568 When on, <strong>UNDERLINE</strong> underlines letters, words
    569 and numbers, but not punctuation or spaces.  This makes for more
    570 readable copy than a solid underline.
    571 <p>
    572 <strong>NOTE:</strong> Underlining may also be turned on and off
    573 <a href="definitions.html#TERMS_INLINES">inline</a>
    574 with the escapes
    575 <a href="#UL">\*[UL]...\*[ULX].</a>
    576 <p>
    577 
    578 <!---UL--->
    579 
    580 <hr width="66%" align="left">
    581 <a name="UL"><h3><u>Inline escape for underlining -- Courier font only!</u></h3></a>
    582 <br>
    583 Inline: <strong>\*[UL]...\*[ULX]</strong>
    584 
    585 <p>
    586 If your font is Courier, or you're using the document processing macro
    587 <a href="#PRINTSTYLE">PRINTSTYLE TYPEWRITE</a>,
    588 <strong>\*[UL]...\*[ULX]</strong> underlines words and
    589 passages that, in typeset copy, would be italicized.
    590 <p>
    591 <strong>\*[UL]</strong> underlines all letters, words and numbers
    592 following it, but not punctuation or spaces.  This makes for more
    593 readable copy than a solid underline.  When you no longer want
    594 underlining, <strong>\*[ULX]</strong> turns underlining off.
    595 <p>
    596 The macro
    597 <a href="#UNDERLINE">UNDERLINE</a>
    598 and the inline escape <strong>\*[UL]</strong> are functionally
    599 identical, hence
    600 <p>
    601 <pre>
    602 	.FAM     C
    603 	.FT      R
    604 	.PT_SIZE 12
    605 	.LS      24
    606 	.SS      0
    607 	.QUAD    LEFT
    608 	Which should I heed?
    609 	.UNDERLINE
    610 	Just do it
    611 	.UNDERLINE OFF
    612 	or
    613 	.UNDERLINE
    614 	just say no?
    615 	.UNDERLINE OFF
    616 </pre>
    617 
    618 produces the same result as
    619 <p>
    620 <pre>
    621 	.FAM     C
    622 	.FT      R
    623 	.PT_SIZE 12
    624 	.LS      24
    625 	.SS      0
    626 	.QUAD    LEFT
    627 	Which should I heed? \*[UL]Just do it\*[ULX] or \*[UL]just say no?\*[ULX]
    628 </pre>
    629 
    630 <!---PAD--->
    631 
    632 <hr width="66%" align="left">
    633 <a name="PAD"><h3><u>Insert space into lines</u></h3></a>
    634 <br>
    635 <nobr>Macro: <strong>PAD</strong> &quot;&lt;string with pad markers inserted&gt;&quot; [NOBREAK]</nobr>
    636 
    637 <p>
    638 With <strong>PAD</strong>, you can insert unspecified amounts of
    639 whitespace into a line.  The optional <strong>NOBREAK</strong>
    640 argument tells <strong>mom</strong> not to advance on the page
    641 after the <strong>PAD</strong> macro has been invoked.
    642 <p>
    643 <strong>PAD</strong> calculates the difference between the length of
    644 text on the line and the distance remaining to its end, then inserts
    645 the difference (as whitespace) at the place(s) you specify.
    646 <p>
    647 Take, for example, the following relatively common typesetting
    648 situation, found at the bottom of legal agreements:
    649 <p>
    650 <pre>
    651 	Date             Signature                               |
    652 </pre>
    653 
    654 The person signing the agreement is supposed to fill in the date
    655 as well as a signature.  Space needs to be left for both, but
    656 the exact amount is neither known, nor important.  All that
    657 matters is that there be a little space after Date, and rather
    658 more space after Signature.  (In the above, | represents
    659 the end of the line at the prevailing line length.)
    660 <p>
    661 The
    662 <a href="#PADMARKER">pad marker</a>
    663 (see below) is # (the pound or number sign on your keyboard) and
    664 can be used multiple times in a line.  With that in mind, here's how
    665 you'd input the Date/Signature line (assuming a length of 30 picas):
    666 <p>
    667 <pre>
    668 	.LL 30P
    669 	.PAD "Date#Signature###"
    670 </pre>
    671 
    672 When the line is output, the space remaining on the line, after
    673 &quot;Date&quot; and &quot;Signature&quot; have been taken into
    674 account, is split into four (because there are four # signs).
    675 One quarter of the space is inserted between Date and Signature,
    676 the remainder is inserted after Signature.
    677 <a name="PAD_EXAMPLE"></a>
    678 <p>
    679 One rarely wants merely to insert space in a line; one usually
    680 wants to fill it with something, hence <strong>PAD</strong> is
    681 particularly useful in conjunction with
    682 <a href="#STRING_TABS">string tabs</a>.
    683 The following uses the Date/Signature example above, but adds
    684 rules into the whitespace through the use of string tabs and
    685 <strong>mom</strong>'s
    686 <a href="definitions.html#TERMS_INLINES">inline escape</a>
    687 <a href="inlines.html#INLINE_RULE_MOM">\*[RULE]</a>.
    688 (Instead of <strong>\*[RULE]</strong>,
    689 groff's line drawing function,
    690 <a href="inlines.html#INLINE_LINEDRAWING_GROFF">\l</a>
    691 could be used.)
    692 <p>
    693 <pre>
    694 	.LL 30P
    695 	.PAD "Date \*[ST1]#\*[ST1X] Signature \*[ST2]###\*[ST2X]" NOBREAK
    696 	.ST 1 J
    697 	.ST 2 J
    698 	.TAB 1
    699 	\*[RULE]
    700 	.TN
    701 	\*[RULE]
    702 	.TQ
    703 </pre>
    704 
    705 If you're not a typesetter, and if you're new to groff, the
    706 example probably looks like gibberish.  My apologies.  However,
    707 remember that typesetting is a craft, and without having studied
    708 the craft, it takes a while to grasp its concepts.
    709 <p>
    710 Basically, what the example does is:
    711 <br>
    712 <ol>
    713 	<li>Pads the Date/Signature line (using the pad marker #),
    714 		encloses the padded space with two string tabs markers,
    715 		and outputs the line.
    716 	<br>
    717 	<li>Sets the two string tabs (notice the use of
    718 		<a href="#EL">EL</a>
    719 		beforehand; you don't want <strong>mom</strong>
    720 		to advance a line at this point).
    721 	<br>
    722 	<li>Calls the first string tab and draws a rule to its full
    723 		length.
    724 	<br>
    725 	<li>Calls the second tab with
    726 		<a href="#TN">TN</a>
    727 		(which moves to tab 2 and stays on the same baseline)
    728 		then draws a rule to the full length of string tab 2.
    729 </ol>
    730 <br>
    731 Often, when setting up string tabs this way, you don't want the
    732 padded line to print immediately.  To accomplish this, use
    733 <a href="#SILENT">SILENT</a>.
    734 See the <a href="#STRING_TABS_TUT">quickie tutorial on string tabs</a>
    735 for an example.
    736 <p>
    737 <strong>NOTE:</strong> Because the pound sign (#) is used as the pad
    738 marker, you can't use it as a literal part of the pad string.  If you
    739 need the sign to appear in the text of a padded line, change the pad
    740 marker with <a href="#PAD_MARKER">PAD_MARKER</a>.  Also, be aware
    741 that # as a pad marker only applies within the <strong>PAD</strong>
    742 macro; at all other times it prints literally, just as you'd expect.
    743 <p>
    744 Another important consideration when using <strong>PAD</strong> is that
    745 because the string must be enclosed in double-quotes, you can't use the
    746 double-quote (&quot;) as part of the string.  The way to circumvent
    747 this is to use the groff
    748 <a href="definitions.html#TERMS_INLINES">inline escapes</a>
    749 <strong>\(lq</strong> and <strong>\(rq</strong> (leftquote and
    750 rightquote respectively) whenever double-quotes are required in the
    751 string passed to <strong>PAD</strong>.
    752 <p>
    753 
    754 <!---PAD_MARKER--->
    755 
    756 <hr width="66%" align="left">
    757 <a name="PAD_MARKER"><h3><u>Change/set the marker used with PAD</u></h3></a>
    758 <br>
    759 <nobr>Macro: <strong>PAD_MARKER</strong> &lt;character to use as the pad marker&gt;</nobr>
    760 
    761 <p>
    762 If you need to change <strong>mom</strong>'s default pad marker
    763 (#), either because you want a literal # in the padded line,
    764 or simply because you want to use another character instead, use
    765 <strong>PAD_MARKER</strong>, whose argument is the new pad marker
    766 character you want.
    767 <p>
    768 <pre>
    769 	.PAD_MARKER @
    770 </pre>
    771 
    772 changes the pad marker to @.
    773 <p>
    774 Once you've changed the pad marker, the new marker remains in
    775 effect for every instance of
    776 <a href="#PAD">PAD</a>
    777 until you change it again (say, back to the pound sign).
    778 <p>
    779 
    780 <!---\*[LEADER]--->
    781 
    782 <hr width="66%" align="left">
    783 <a name="LEADER"><h3><u>Inline escape to add leaders to a line</u></h3></a>
    784 <br>
    785 Inline: <strong>\*[LEADER]</strong>
    786 
    787 <p>
    788 Whenever you want to fill a line or tab with
    789 <a href="definitions.html#TERMS_LEADER">leaders</a>,
    790 use the
    791 <a href="definitions.html#TERMS_INLINES">inline escape</a>
    792 <strong>\*[LEADER]</strong>.  The remainder of the line or tab will be
    793 filled with the leader character.  <strong>Mom</strong>'s
    794 default leader character is a period (dot), but you can change
    795 it to any character you like with
    796 <a href="#LEADER_CHARACTER">LEADER_CHARACTER</a>.
    797 <p>
    798 <strong>NOTE:</strong> <strong>\*[LEADER]</strong> fills lines
    799 or tabs right to their end.  You cannot insert leaders into a
    800 line or tab and have text following the leader on the same line
    801 or in the same tab.  Should you wish to achieve such an effect
    802 typographically, create tabs for each element of the line and
    803 fill them appropriately with the text and leaders you need.
    804 <a href="#STRING_TABS">String tabs</a> are perfect for this.  An
    805 example follows.
    806 <p>
    807 <pre>
    808 	.LL 30P
    809 	.PAD "Date\*[ST1]#\*[ST1X]Signature\*[ST2]###\*[ST2X]"
    810 	.EL
    811 	.ST 1 J
    812 	.ST 2 J
    813 	.TAB 1
    814 	\*[LEADER]
    815 	.TN
    816 	\*[LEADER]
    817 	.TQ
    818 </pre>
    819 
    820 The <strong>PAD</strong> line sets the words Date and Signature,
    821 and marks string tabs around the pad space inserted in the line.
    822 The string tabs are then &quot;set&quot;, called, and filled
    823 with leaders.  The result looks like this:
    824 <p>
    825 <pre>
    826 	Date.............Signature.....................................
    827 </pre>
    828 
    829 <!---LEADER_CHARACTER--->
    830 
    831 <hr width="66%" align="left">
    832 <a name="LEADER_CHARACTER"><h3><u>Change/set the leader character</u></h3></a>
    833 <br>
    834 <nobr>Macro: <strong>LEADER_CHARACTER</strong> &lt;character&gt;</nobr>
    835 
    836 <p>
    837 <strong>LEADER_CHARACTER</strong> takes one argument: a single
    838 character you would like to be used for
    839 <a href="definitions.html#TERMS_LEADER">leaders</a>.
    840 (See
    841 <a href="#LEADER">\*[LEADER]</a> for an explanation of how to
    842 fill lines with leaders.)
    843 <p>
    844 For example, to change the leader character from <strong>mom</strong>'s
    845 default (a period) to the underscore character, enter
    846 <p>
    847 <pre>
    848 	.LEADER_CHARACTER _
    849 </pre>
    850 
    851 <!---DROPCAP--->
    852 
    853 <hr width="66%" align="left">
    854 <a name="DROPCAP"><h3><u>Drop caps</u></h3></a>
    855 <br>
    856 <nobr>Macro: <strong>DROPCAP</strong> &lt;dropcap letter&gt; &lt;number of lines to drop&gt; [ COND &lt;percentage&gt; | EXT &lt;percentage&gt; ]</nobr>
    857 
    858 <p>
    859 The first two arguments to <strong>DROPCAP</strong> are the letter you
    860 want to be the
    861 <a href="definitions.html#TERMS_DROPCAP">drop cap</a>
    862 and the number of lines you want it to drop.  By default,
    863 <strong>mom</strong> uses the current family and font for the drop cap.
    864 <p>
    865 The optional argument (COND or EXT) indicates that you want the
    866 drop cap condensed (narrower) or extended (wider).  If you use
    867 <strong>COND</strong> or <strong>EXT</strong>, you must follow the
    868 argument with the percentage of the letter's normal width you want
    869 it condensed or extended.  No percent sign (%) is required.
    870 <p>
    871 <strong>Mom</strong> will do her very best to get the drop cap to
    872 line up with the first line of text indented beside it, then set
    873 the correct number of indented lines, and restore your left margin
    874 when the number of drop cap lines has been reached.
    875 <p>
    876 Beginning a paragraph with a drop cap &quot;T&quot; looks
    877 like this:
    878 <p>
    879 <pre>
    880 	.DROPCAP T 3 COND 90
    881 	he thousand injuries of Fortunato I had borne as best I
    882 	could, but when he ventured upon insult, I vowed revenge.
    883 	You who so well know the nature of my soul will not suppose,
    884 	however, that I gave utterance to a threat...
    885 </pre>
    886 
    887 The drop cap, slightly condensed but in the current family and font,
    888 will be three lines tall, with whatever text fills those three
    889 lines indented to the right of the letter.  The remainder of the
    890 paragraph's text will revert to the left margin.
    891 <p>
    892 <strong>NOTE:</strong> When using the
    893 <a href="docprocessing.html#DOCPROCESSING">document processing macro</a>
    894 <a href="#PP">PP</a>,
    895 <strong>DROPCAP</strong> only works
    896 <br>
    897 <ul>
    898 	<li>with initial paragraphs (i.e. at the start of the document,
    899 		or after
    900 		<a href="#HEAD">HEAD</a>),
    901 	<li>when <strong>DROPCAP</strong> comes immediately after <strong>PP</strong>,
    902 	<li>and when the
    903 		<a href="docprocessing.html#PRINTSTYLE">PRINTSTYLE</a>
    904 		is TYPESET.
    905 </ul>
    906 <br>
    907 If these conditions aren't met, <strong>DROPCAP</strong> is silently ignored.
    908 <p>
    909 <strong>WARNING:</strong> <strong>DROPCAP</strong> puts a bit of
    910 a strain on resource-challenged systems.  If you have such a
    911 system and use drop caps extensively in a document, be prepared
    912 for a wait while <strong>mom</strong> does her thing.
    913 
    914 <h3><a name="DROPCAP_SUPPORT"><u>Support macros for DROPCAP</u></a></h3>
    915 Drop caps are the bane of most typesetters' existence.  It's
    916 very difficult to get the size of the drop cap right for the
    917 number of drop lines, especially if the drop cap is in a
    918 different family from the prevailing family of running text.
    919 Not only that, but there's the gutter around the drop cap to
    920 take into account, plus the fact that the letter may be too wide
    921 or too narrow to look anything but odd or misplaced.
    922 <p>
    923 <strong>Mom</strong> solves the last of these problems with the
    924 <strong>COND</strong> and <strong>EXT</strong> arguments.  The
    925 rest she solves with macros that change the default behaviour of
    926 <strong>DROPCAP</strong>, namely
    927 <p>
    928 <a href="#DROPCAP_FAMILY">DROPCAP_FAMILY</a>,
    929 <br>
    930 <a href="#DROPCAP_FONT">DROPCAP_FONT</a>,
    931 <br>
    932 <a href="#DROPCAP_COLOR">DROPCAP_COLOR</a>,
    933 <br>
    934 <a href="#DROPCAP_ADJUST">DROPCAP_ADJUST</a>
    935 <br>
    936 and
    937 <br>
    938 <a href="#DROPCAP_GUTTER">DROPCAP_GUTTER</a>.
    939 <p>
    940 These macros must, of course, come before you invoke
    941 <strong>DROPCAP</strong>.
    942 
    943 <h3><a name="DROPCAP_FAMILY"><u>DROPCAP_FAMILY</u></a></h3>
    944 
    945 Set the drop cap family by giving
    946 <strong>DROPCAP_FAMILY</strong> the name of the family you want,
    947 e.g.
    948 <p>
    949 <pre>
    950 	.DROPCAP_FAMILY H
    951 </pre>
    952 
    953 which will set the family to Helvetica for the drop cap only.
    954 
    955 <h3><a name="DROPCAP_FONT"><u>DROPCAP_FONT</u></a></h3>
    956 
    957 Set the drop cap font by giving
    958 <strong>DROPCAP_FONT</strong> the name of the font you want,
    959 e.g.
    960 <p>
    961 <pre>
    962 	.DROPCAP_FONT I
    963 </pre>
    964 
    965 which will set the font to italic for the drop cap only.
    966 
    967 <h3><a name="DROPCAP_ADJUST"><u>DROPCAP_ADJUST</u></a></h3>
    968 
    969 If the size <strong>mom</strong> calculates for the drop cap
    970 isn't precisely what you want, you can increase or decrease it
    971 with <strong>DROPCAP_ADJUST</strong>, like this:
    972 e.g.
    973 <p>
    974 <pre>
    975 	.DROPCAP_ADJUST +1
    976 	    or
    977 	.DROPCAP_ADJUST -.75
    978 </pre>
    979 
    980 <strong>DROPCAP_ADJUST</strong> only understands
    981 <a href="definitions.html#TERMS_PICASPOINTS">points</a>,
    982 therefore do not append any
    983 <a href="definitions.html#TERMS_UNITOFMEASURE">unit of measure</a>
    984 to the argument.  And always be sure to prepend the plus or
    985 minus sign, depending on whether you want the drop cap larger or
    986 smaller.
    987 
    988 
    989 <h3><a name="DROPCAP_COLOR"><u>DROPCAP_COLOR</u></a></h3>
    990 
    991 If you'd like your drop cap colourized, simply invoke
    992 <strong>DROPCAP_COLOR</strong> with the name of a colour you've already
    993 created (&quot;initialized&quot;) with
    994 <a href="color.html#NEWCOLOR">NEWCOLOR</a>
    995 or
    996 <a href="color.html#XCOLOR">XCOLOR</a>.  Only the drop cap will be
    997 colourized; all other text will remain at the current colour
    998 default (usually black).
    999 
   1000 <h3><a name="DROPCAP_GUTTER"><u>DROPCAP_GUTTER</u></a></h3>
   1001 
   1002 By default, <strong>mom</strong> puts three points of space
   1003 between the drop cap and the text indented beside it.  If you
   1004 want another value, use <strong>DROPCAP_GUTTER</strong> (with a
   1005 unit of measure), like this:
   1006 <p>
   1007 <pre>
   1008 	.DROPCAP_GUTTER 6p
   1009 </pre>
   1010 
   1011 <!---\*[SUP]--->
   1012 
   1013 <hr width="66%" align="left">
   1014 <a name="SUP"><h3><u>Superscript</u></h3></a>
   1015 <br>
   1016 Inlines: <strong>\*[SUP]...\*[SUPX]</strong>
   1017 
   1018 <p>
   1019 Superscripts are accomplished
   1020 <a href="definitions.html#TERMS_INLINES">inline</a>.
   1021 Whenever you need one, typically for numerals, all you need to
   1022 do is surround the superscript with the inlines above.
   1023 <strong>\*[SUP]</strong> begins superscripting;
   1024 <strong>\*[SUPX]</strong> turns it off.
   1025 <a name="CONDSUP"></a>
   1026 <a name="EXTSUP"></a>
   1027 <p>
   1028 If your running type is
   1029 <a href="#COND_INLINE">pseudo-condensed</a>
   1030 or
   1031 <a href="#EXT_INLINE">pseudo-extended</a>
   1032 and you want your superscripts to be equivalently pseudo-condensed or
   1033 -extended, use <strong>\*[CONDSUP]...\*[CONDSUPX]</strong> or
   1034 <strong>\*[EXTSUP]...\*[EXTSUPX]</strong>.
   1035 <p>
   1036 The superscript inlines are primarily used by the
   1037 <a href="docprocessing.html#DOCPROCESSING">document processing macros</a>
   1038 for automatic generation of numbered footnotes.  However, you may
   1039 find them useful for other purposes.
   1040 <p>
   1041 <strong>NOTE:</strong> <strong>Mom</strong> does a pretty fine job of
   1042 making superscripts look good in any font and at any size.  If you're
   1043 fussy, though (and I am), about precise vertical placement, kerning,
   1044 weight, size, and so on, you may want to roll your own solution.
   1045 And sorry, there's no <strong>mom</strong> equivalent for subscripts.
   1046 I'm neither a mathematician nor a chemist, so I don't need them.
   1047 Of course, anyone who wishes to contribute a subscript routine to
   1048 <strong>mom</strong> will receive eternal blessings not only in this
   1049 lifetime, but in all lifetimes to come.
   1050 <p>
   1051 <hr>
   1052 <a href="inlines.html#TOP">Next</a>&nbsp;&nbsp;
   1053 <a href="typesetting.html#TOP">Prev</a>&nbsp;&nbsp;
   1054 <a href="#TOP">Top</a>&nbsp;&nbsp;
   1055 <a href="toc.html">Back to Table of Contents</a>
   1056 </body>
   1057 </html>
   1058